By Paul Martingell

ISBN-10: 0240810031

ISBN-13: 9780240810034

Place filming is starting to be in recognition with the abundance of reasonable cameras. You don't want a studio, a printed truck, or maybe large wisdom of ways to exploit a 16mm movie camera--all you wish is a camera, and you'll take your activity at the street and shoot anyplace motion is occurring! This booklet provide you with the information and self belief you must take your on-location capturing abilities to the following point.

Better situation Filming is choked with the stuff you might want to be aware of to have nice effects whereas capturing your documentary, interview, wearing occasion, model or glamour occasion, or present affairs/news convey. past introductory concepts, the writer will inform you the way to plan, troubleshoot, deal with felony specifications and concerns, and naturally - he'll educate you all approximately place filming gear. functional and packed with hands-on guidelines, this e-book is ideal for operating and aspiring movie & video pros looking a leg up of their careers.

As an advantage, complex assistance are integrated for beginners who're able to take capturing ideas to the subsequent point.

* examine the fundamentals of taking pictures correctly on position - it doesn't matter what apparatus you're using
* contains the newest digicam information
* Covers the gamut of varieties of position filming
* Realistic/practical details

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Extra resources for Better Location Shooting: Techniques for Video Production

Sample text

Switches, meters, and dials on the outside of the camera are always better for instant audio adjustments. 13). Better Location Shooting The choice of how many audio tracks needed depends on the work you do, but a minimum of two tracks is necessary for most video work. This way you can at least split the audio from two subjects and alter the levels individually. This then allows you to alter each track separately when the rushes are fed into the edit machine and allows for neater audio editing. TIP Personal microphones can suffer from terrible wind noise in blustery conditions as they have such a small sized head.

There is a very good reason for getting as good a tripod as you can afford for location shooting. Later in the book we go into the importance of filming a good variety of shots for the final edit and how important this is for the video editor as well as for giving the end production a high standard of visual interest. And if you are shooting in a great location you’ll want to get the best out of it, which means lots of wide shots and lots of tight shots on the end of the lens to make for an interesting mix of frame sizes for the final cut.

This way you can at least split the audio from two subjects and alter the levels individually. This then allows you to alter each track separately when the rushes are fed into the edit machine and allows for neater audio editing. TIP Personal microphones can suffer from terrible wind noise in blustery conditions as they have such a small sized head. All you hear is popping and whining due to the wind blustering around the mic head and the subject’s voice fights to be heard over this din, so grab some little wind gags that push on over the mic’s head.

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Better Location Shooting: Techniques for Video Production by Paul Martingell


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