By John C. Stout
so much readers understand Antonin Artaud as a theorist of the theatre and as a playwright, director and actor manqué. Now, John C. Stout’s hugely unique learn installs Artaud as a author and theorist of biography.
In Alternate Genealogies Stout analyzes separate yet interrelated preoccupations important to Artaud’s paintings: the self-portrait and the kinfolk romance. He exhibits how Artaud, in numerous vital yet rather overlooked texts, rewrites the existence tales of old and literary figures with whom he identifies (for instance, Paolo Ucello, Abelard, Van Gogh and Shelley’s Francesco Cenci) in an try to reinvent himself throughout the picture, or existence, of one other. during the ebook Stout focusses on Artaud’s struggles to get well the experience of self that eludes him and to grasp the reproductive procedure via recreating the kin in — and as — his personal fantasies of it. With this study John C. Stout has further significantly to our realizing of Artaud.
His booklet should be a lot liked by means of theatre students, Artaud experts, Freudians, Lacanians and either theorists and practitioners of existence writing.
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Additional resources for Antonin Artaud’s Alternate Genealogies: Self-Portraits and Family Romances
39 cited ("les plus hautes matures," "Je suis geant") and petrified, mineralized ("les femmes sentent leurs sexes devenir durs comme des galets," "le pavage des seins," "les ames avec leurs craquelures de micas"). The physical attributes of the sexes are polarized. Male potency vies with female petrification. Here Artaud is no doubt thinking of the Freudian notion that being turned to stone signifies castration. The sea voyage, metaphor for erotic adventure, is juxtaposed with images of erosion ("au-dessous de tout est Perosion de Pesprit").
The writing of "Paul les Oiseaux" also constitutes Artaud's initiation into the serious game of constructing 'Vies imaginaires" from the lives of historical and literary figures. These 30 Antonin Artaud's Alternate Genealogies textual lives reflect or refract aspects of Artaud's own "life" — not his actual biography but his imaginative, quasi-fictional recapitulation of that actual life. "Paul les Oiseaux, ou la place de Pamour" already incorporates phantasy material that will resurface continually in later Artaud texts.
In fact, the name seems to mock the painter's eccentric preoccupation with images of birds. ") to that of the imaginary. The referential world is replaced by an unreal substitute. This move is crucial to Artaud's interpretation of Uccello's life. The meaning of "Paul les Oiseaux, ou la place de Pamour" depends on the outcome of Uccello's attempt to have the imagination supersede reality. The change in names alerts the reader to discrepancies between the manifest and the hidden. Schwob presents Uccello as entirely absorbed in experimentation with abstract form, with line and shape.
Antonin Artaud’s Alternate Genealogies: Self-Portraits and Family Romances by John C. Stout
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